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Casu, Daniele

1928 [1929?]-?
nickname(s): "Fillu ’e Paui" [son of "Paui"]

piper (&c.) mentioned by name

Born in Cabras (prov. Oristano), he lived in Pirri (now a district of Cagliari); For many years he has been a pupil of Felice Pili (at that time living in Villaputzu), who has brought in his playing a series of elements, not native to the tradition of Cabras; A very poor labourer, he earned an extra income by playing at the village festivals of Campidano d’Oristano and sometimes also in the villages of Northern Sardinia; He had a good technique, but was hampered by an injury of his left little finger, so that his playing the Mankosa manna regrettably did not correspond to normal practice; According to Dore he had the same nickname ("Fillu ’e Paui") as his brother Giovanni, with whom he has played together several times at folk-lore shows; Both have been in France and Belgium with folk-lore groups of the Sardinian tourist organisation.

Instrument: Launeddas / Launeḍḍas / Launedda [sic]


Sources

Weis Bentzon, Andreas Fridolin: The launeddas: a Sardinian folk music instrument. Copenhagen, 1969, p.30-31 & passim.

Dore, Giovanni: Gli strumenti della musica popolare della Sardegna. Cagliari, 1976, p.54.

Launeddas: l’anima di un popolo [Title on cover: »La storia, lo strumento, i protagonisti, la discografia: launeddas«]. A cura di Giampaolo Lallai, associazione Cuncordia a Launeddas. Fotografie di Nico Selis. Cagliari, 1997, p.72* & passim (p.98: 1929).

Web

sardinia.net (Launeddas players; *1928 [No nickname]); NB: Note the rather confusing error in the English translation of the phrase "dalla cui semplice struttura..." in his brief biography ("He is hypothetically considered as a "musical fossil" ...), which would make much more sense when translated correctly (i.e. as a subordinate clause of the preceding sentence) as: "He is quoted by Bentzon because of his knowledge of the ancient dance of Cabras "su pass’e dusu", which is hypothetically considered a "musical fossil", from the simple structure of which many complex dance arrangements were to be developed by the professional musicians".