Mizmār al-jirāb (gender unknown)
(with) definite article: ?original: [مِزملر الژِرلب ؟]
From an 11th century text by Avicenna (Full name in Arabic: Abū ʿAlī al-Ḥusayn ibn ʿAbd Allāh ibn al-Ḥasan ibn ʿAlī ibn Sīnā (ca. 980-1037)); NB¹: Referring to Farmer as his source, Baines also mentions Ibn Zayla (Abu Mansur al-Huasyn ben Muhammad ben Umar, ca. 983-1048), who was a pupil and disciple of Avicenna; NB²: According to Wikipedia, Mizmār (مزمار [plural: Mazāmīr (مَزَامِير)]) is in Arabian music "a general term for any single or double reed [sic] wind instrument" [Taking in consideration that the text is supported by a photo of 2 double reeds only (!), this is, in my perception, a rather confusing definition], adding that in Egypt the term usually refers to the conical shawm that is called Zurna in Turkey and Armenia [and SW Bulgaria (!); NB³: In Albania It is called Surleja and in Macedonia Zurla [which in Bulgaria is a synonym of Zurna (ws)].
Baines, Anthony: Bagpipes [1960]. Oxford, 1973 (revised), p.67 (»Avicenna), 68 (»Ibn Zayla).
Meer, John Henry van der: Typologie der Sackpfeife. In: Anz. Germ. Nationalmus. (Nürnberg, 1964), p.125 (»Avicenna; »Ibn Zayla).
Collaer, Paul & Elsner, Jürgen: Nordafrika (Musikgeschichte in Bildern 1/8). Unter Mitarbeit von Brahim Bahloul, Charles Duvelle Helmut Hoffmann-Burchardi, Andrée Jabès, Angelika Jung, Vaclav Kubica, Sālih al-Mahdī, Nour-al-Din al-Salihi und Lothar Stein. Leipzig, 1983, p.98.
Podnos, Theodor H.: Bagpipes and tunings. Detroit, 1974, p.16 (»Baines), 23, 49 (»Ibn Zayla).