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Acevedo G., Antonio J.: Ensayo sobre la Gaita zuliana [Essay on the "Gaita" festival of Zulia]. Maracaibo, 1966.
Adelung, Johan Christoph (1732-1806): Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart. Wien, 1808. *Mit D.W. Soltau’s Beyträgen revidirt und berichtiget [sic] von Franz Xavier Schönberger.
Agnew, R. Gorden: The music of the Ch’uan Miao. In: Jl. West China border research soc.11 (Shanghai, 1939), p.9-22.
Agócs, Gergely (szerk. [ed.]): A duda, a furulya és a kanásztülök: A magyar hangszeres zene folklórja (The folklore of Hungarian instrumental music: [The] Bagpipe, flute and swineherd’s trumpet [sic]). Budapest, 2001.
Agócs, Gergely: "A kutyadudának a nótája": A dudazene stílusa és előadásmódja a vonószenekarok gyakorlatában (The song of the dog-pipe: The style and performance of bagpipe music in the practice of string bands). In: Agócs (szerk. [ed.]): A duda... (2001), p.[349]-360, 522-523 (abstract); Previously published in Zenetudományi dolgozatok 1999 (Budapest, 1999), p.11-24.
Agrasar Vázquez, Martín & Carballeda Ferreiro, Patricia: A música. Santiago de Compostela, s.a. [2000].
Ahrens, Christian: Die griechische Sackpfeife (Gaïda) und ihre Musik. In: Studien zur Musik Südost-Europas (Hamburg, 1976), p.49-70.
Ahrens, Christian: Ein griechischer Volksmusiker und sein Instrument: zur Stimmung folkloristischer Aerophone. In: SIMP VII (Stockholm, 1981), p.95-101.
Airs du temps: cornemuses du monde, musiques des régions. Ploezal, 1996.
Albertini, Gabriella: La zampogna negli “ex libris” di Vito Giovannelli. In: Utriculus 2;1 (5), gennaio-marzo 1993, p.4-6.
Alexandre, Charles: La cornemuse des Pyrénées françaises [et de Catalogne et des Iles Baléares]. In: The bagpipes in Europe, 1 (1976), p.16-31.
Alexandre, Charles: La cornemuse du Languedoc. Folklore, No. 165 (Tome XXX, 40' Année - N° 1, Printemps 1977).
Alexandru, Tiberiu: Instrumentele muzicale ale poporului român. Bucureşti, 2014 (Reprint of Instrumentele muzicale ale poporului romîn, Bucureşti, 1956).
Alexandru, Tiberiu: Dudelsack in Rumänien. In: Musikblatt extra 91 (Göttingen, 1991), p.21.
Allmo, Per-Ulf: Säckpipan i norden: från änglars musik till djävulens blåsbälg (Bagpipes in the nordic countries [From music of the angels to the devil’s bellows]). Stockholm, 1990.
Ambrogio, Aldo: Folklore piacentino. Natale: la piva, i pivari, il presepio. In: Utriculus IV;4 (16), ottobre/dicembre 1995, p.24-27.
Amieva, Xuacu: Método de gaita asturiana. Gijón, 1998.
Amyot, Robert: L’instrument talisman: un Québécois amoureux des cornemuses. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.98-103.
Angius, Vittorio: Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna.
Anonymous: Caption to a print of miniature 260 in the collection of Dr. Fritz Schneider, Krefeld.
Anonymous: Caption to a print of miniature 280 in the collection of Dr. Fritz Schneider, Krefeld.
Anonymous: L’anchage des pieds de cabrette (Méthode Edouard Chapot). In: Folklore de France 36/203 (Nîmes, 1986/1), p.3-8.
Anonymous: Mélanges sur les langues, dialectes et patois: Renfermant, entre autres, une collection de la parabole de l’enfant prodigue en cent idiomes ou patois différens, presque tous de France; Précédés d’un essai d’un travail sur la géographie de la langue française. Paris, 1831.
Anonymous: Något om Watländarenas ſeder [Something about the habits of the Watländ minority]. In: Åbo Tidning N:o 65. Onsdagen [Wednesday] den 18 Augusti 1802, p.1, 3 [NB¹: Åbo is the Swedish name of bilingual Turku, Finland; ws]. NB²: ➺ Åbo Tidning (WS).
Anonymous: Orígenes y nombres de Gaitas [shawms]. In: A.G.A. 8 (1995), p.8.
Anonymous: Sequencias: Anton Corral. In: Anuario da Gaita 1998 (13), p.13-15.
Anonymous: Sledujte náš "Gajdyseriál" [Watch our "Gajdy series"]. In: Hutník: Týdenik Třineckých železáren [The metallurgist: Weekly of the ironmongers of Třinec], 61;42 (21 Oct. 2009) & 43 (29 Oct. 2009).
Anoyanakis, Fivos: Greek popular musical instruments [Title on cover: »Greek folk musical instruments«]. Athens, 1979.
Ανωγειανάκης, Φοίβος [Anoyanakis, Fivos]: Ελληνικά λαϊκά μουσικά όργανα. Αθήνα [Athens], 1979.
Arcangeli, Piero G. / Palombini, Giancarlo / Pianesi, Mauro: La sposa lamentava e l'amatrice: poesia e musica della tradizione alto-sabina tra l'Abruzzo e il Lazio. s.l. [Pescara], 2001.
Arends, H.: Muziek uit Japan kent vele vormen. In: Akt 18;5 (Groningen, 1970), p.151-157.
Armstrong, Gerry & George (ill.): The magic bagpipe [1978, The International Piper]. Edinburgh, 1988 [1st Scottish ed.].
Armstrong, Jack]: The Jack Armstrong tune book: the complete compositions of Jack Armstrong and a selection from the repertoire of duets which he played with Patricia Jennings [With an introduction by Alfred Ferguson]. Newbiggin-by-the-Sea, 1995.
Artigues, Toni: Xeremiers: manual de xeremies, fobiol i tamborí. Palma de Mallorca, 1982.
Ashton, Charles: Gweithiau Iolo Goch: gyda nodiadau hanesyddol a beirniadol [The works of Iolo Goch: with historical and critical notes]. Croesoswallt [Oswestry], 1896: NB: ➺ references in Peate, Welsh musical instruments !!!
Asociación Galega de Bandas de Gaitas: regulamento campionatos. Ourense [Orense], s.a. [1994].
Атанасов, Вергилий [Atanasov, Vergilij]: Систематика на българските народни музикални инструменти (Systematik der bulgarischen Volksmusikinstrumente). София [Sofija], 1977.
Atanassov, Vergilij: Gaida (Dudelsack). In: The bagpipes in Europe, 1 (1976), p.37-46 + [7] ills.
Atanassov, Vergilij: Die technischen Möglichkeiten der Sackpfeife in Bulgarien. In: SIMP VI (Stockholm, 1979), p.126-129.
Атлас музыкальных инструментов народов СССР = Atlas of musical instruments of the peoples inhabiting the USSR [1963]. Вертков, Константин А. (Vertkov, Konstantin A.) / Благодатов, Георгий И. (Blagodatov, Georgij I.) / Язовицкая, Эльза Э. (Jazovickaja, El’za E.). Москва (Moskva), 1975 (2).
Aubry, Michel: Franco Melis, launeddas-player of Tuili, Sardinia. [Title on cover: launeddas]. In: Proc. International bagpipe symposium… (The Hague, 1988), p.70-78.
Aumüller, Stephan A.: »Dudlsack« und Büllhefen: Schall- und Lärminstrumente aus dem Burgenland (Österreich). In: Volkskunst 3;4 [Volksmusikinstrumente] (München, 1980), p.237-239.
Bachmann-Geiser, Brigitte: Die Volksmusikinstrumente der Schweiz (Handbuch der europ. Volksmusikinstr. 1/4). Leipzig, 1981.
The bagpipes in Europe, 1 (Brussels mus. of musical instr., bull. 6;1-2 [7 essays]). Buren, 1976.
The bagpipes in Europe, 2 (Brussels mus. of musical instr., bull. 8;1-2 [2 essays]). Buren, 1978.
Baines, Anthony: Bagpipes [1960]. Oxford, 1973 (revised).
Baines, Anthony: Woodwind instruments and their history [1957]. With a foreword by Sir Adrian Boult. London, 1962 (2).
Bajén, Luis Miguel & Nuey, Biella: La gaita de fuelle en Monegros. In: La música y la gaita de fuelle aragonesa en Robres (1989), p.14-15.
Bakx, Phons: De launeddas: rietinstrument van de Sarden. Middelburg, 1995. NB: ➺ Review WS.
Baldano, Giovanni Lorenzo: Libro per scriver l’intavolatura per sonare sopra le sordelline (Tablature book for playing the sordellina; Savona, 1600). Facsimile del manoscritto e studi introduttivi a cura di Maurizio Tarrini, Giovanni Farris, John Henry van der Meer. Savona, 1995.
Ballero, Antonio: Launeddas. In: Launeddas: l’anima di un popolo (1997), p.13, 21.
Balling, Georg: Zur Geschichte des Dudelsacks in der heutigen Nordoberpfalz = K historii dud v dnešním severním Hornofalcku. In: Sonderausstellung: der Dudelsack, Musikinstrument… (1995), p.40, 44-49.
Balling, Georg: Zur Geschichte der Sackpfeife in Bayern. In: Der Dudelsack in Europa, mit besonderer Berücksichtigung Bayerns (1996), p.5-14.
Balling, Georg: Sackpfeifen im Schwäbischen Albverein. In: Schmidt: Sackpfeifen in Schwaben: die Wiederentdeckung… (1997), p.121-124.
Baltrėnienė, Marija & Apanavičius, Romualdas: Lietuvių liaudies muzikos instrumentai [Lithuanian folk musical instruments]. Vilnius, 1991.
Bărbuceanu, Valeriu: Dicționar de instrumente muzicale. București, 1999.
Baretti, Giuseppe [Marco Antonio]: Dizionario delle lingue italiana ed inglese, 9th ed., vol. 1 [Corrected and improved by Charles Thomson]. Londra [London], 1839. (Dictionary as a source).
Barilone, Antonio: Da quando è uscita ’sta televisione i bambini non vengono più appresso agli zampognari. In: Portavamo la cucchiarella… (2001), p.30-32.
Barrenechea (Barrenetxea), (Jose) Mariano: Alboka: entorno folklórico (Colaboración de P. Jorge De Riezu), Bilbao, 1976.
Barthakur, Dilip Ranjan: The music and musical instruments of North Eastern India. New Delhi, 2003 (p.123-124: Mouth organs).
Bartók, Béla: A magyar nép hangszerei ([Folk] musical instruments of the Hungarians), II: A duda (The bagpipe). In: Agócs (szerk. [ed.]): A duda... (2001), p.31-36, 513 (abstract); Previously published in Ethnographia XXIII (Budapest, 1912), p.110-114.
Baudoin, Jacques: La samponha, le retour… (Pastel 1993 – 2013). s.l., 2013.
Baudoin, Jacques: La samponha, le retour, 2: La samponha, la renaissance? (Pastel 1993 – 2013). s.l., 2014.
Bayer, Xavier: La manxa borrega o sac de gemecs al Penedès. In: Fulls de treball de Carrutxa 15-16 (Reus, s.a. [1983]), p.20-21 (Dossier cornamusa).
Bayer, Xavier: La manxa borrega: formacions instrumentals i funcions. In: La Fura (Vilafranca, 1990), p.15-16 (Dossier).
Bayer, Xavier: El sac de gemecs: aproximació a l’instrument i presència al Penedès. In: El 3 de 9 (Vilafranca, 1990), p.21-24.
Bayer, Xavier: Aproximació al sac de gemecs. In: Luthiers i instruments tradicionals de Catalunya (Calella, 1994), p.49-58.
Bayley, Christopher (Chris): The world of bagpipes: Index A-Z (2016).
Bec, Pierre: Fonction et imaginaire de la cornemuse au Moyen-Age et à la Renaissance. In: Pastel 29 (Toulouse, 1996), p.26-35.
Bec, Pierre: La cornemuse: sens et histoire de ses désignations. Poésie, musique, folklore. Toulouse, 1996.
Bechet, Florica: Symphonia, Chifonie, Zampogna, Cimpoi: sur l’origine latine du nom roumain de la cornemuse. In: Actes du IXe colloque international sur le latin vulgaire et tardif (LVLT 9), Lyon 2 (Bucarest, 2012), p.509-517.
Becker, Heinz: Das Volksmusikinstrument in der Rezeption des Musikhistorikers. In: SIMP IV (Stockholm, 1976), p.30-39.
Becker, Heinz: Mechanische Spielhilfen (Effektoren) als instrumentenkundliches Problem. In: SIMP VI (Stockholm, 1979), p.10-18.
Békefi, Antal: A bakonyi pásztorok zenei élete: népi hangszerek, hangszeres zene« ([The] Musical life of the Bakony shepherds, folk instruments, instrumental music): Duda – bőrduda (Bagpipe). In: Agócs (szerk. [ed.]): A duda... (2001), p.102-109, 514-515 (abstract); Previously published in A Veszprém megyei múzeumok közleményei« 13 (Veszprém, 1978), p.355-437 [entire article].
Beladi, MohammadReza [Mohammadreza?]: Nayanban or Iranian bagpipe: How does it work? (YouTube, 2023 [Transcript with corrections ws]).
Beltrán [sic] Argiñena, Juan Mari: Alboka. In: Anuario da Gaita 2002 (17), p.87-89.
Beltran Argiñena, Juan Mari: Xirularrua – Gaita de bota: La cornamusa en el País Vasco. Oiartzun, 2012.
Bencker, Ludwig: Bilder aus dem menschlichen Leben, zur Aufheiterung und Belehrung dargestellt. Lindenhardt im Oberfranken, 1839 (p.85-89: Der Bockspfeifer).
Berg, John E.: Sekkepipelyd fra Norge (In Norway). In: Allmo: Säckpipan i norden… (1990), p.308-315, (601).
Bernardini, Paolo: L’aulete di Ittiri. In: Launeddas: l’anima di un popolo (1997), p.205-209.
Bernatzik, Emmy: Burma [Bildtafeln und Interpretationen]. In: Collaer [et al.]: Südostasien (1979), p.68-71.
Bertrand, Guy & Menetrier, Bernard: Instruments de musique populaires traditionnels en Gascogne. Toulouse, 1982.
Bibby-Wilson, Kim & Moore, Anne (eds.): Morpeth Chantry Bagpipe Museum: souvenir guide. Newcastle upon Tyne, 2003. NB: ➺ Review WS.
Bicego, Daniele: Quel pezzo di legno nero: La müsa del suonatore detto Pillo (That piece of black wood. The musa¹ of the player called Pillo). In: Utriculus, Nuova serie XIX (60), II semestre 2020, p.35-41 (104).
Bielawski, Ludwik: Polish instrumental folk ensembles. In: SIMP X (Stockholm, 1992), p.50-55.
Biella, Valter: Ricerca sulla piva nel bergamasco. Bologna, 1985.
Biella, Valter: Il "baghèt": un’antica tradizione bergamasca. Testi musiche e strumenti. Bergamo, 1988 (Quaderni del Misma).
Biella, Valter: Il baghèt bergamasco. In: Corsaro: La zampogna «messinese»: riflessioni… (1992), p.19-22.
Biella, Valter: Legno, corteccia e canna: strumenti musicali nella tradizione popolare bergamasca ([Wood, bark and reed: musical instruments in the folk tradition of the Bergamo area]). Bergamo, 1993.
Biella, Valter: Il baghet – la cornamusa bergamasca. Bergamo, 2000 (I quaderni della Meridiana n. 3).
Biella, Valter: Il "baghèt": la piva delle valli bergamasche. In: La zampogna: gli aerofoni a sacco in Italia (2005), I, p.1-21.
Biella, Valter: La cornamusa nel Canton Ticino (Appendice [all’articolo] "Il Baghèt"). In: La zampogna: gli aerofoni a sacco in Italia (2005), I, p.22.
Biella, Valter: Alcune riflessioni su come fotografare e disegnare cornamuse e altri strumenti etnici a fiato (Some reflections on how to photograph and how to draw bagpipes and other ethnic wind instruments). In: Utriculus, Nuova serie XIII (48), II semestre 2014, p.21-28 (136).
Biella, Valter: La müsa delle Quattro Province (The "musa" [sic] of the "Four Provinces"). In: Utriculus, Nuova serie XIII (48), II semestre 2014, p.29-45 (136).
Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area). In: Utriculus, Nuova serie XIV (49-50), 2015, p.43-74 (193-194).
Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (Parte II) (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area (Part II)). In: Utriculus, Nuova serie XVI (53), I semestre 2017, p.43-56 (122).
Biella, Valter: Pia o baghèt: La cornamusa in terra di Bergamo. Casnigo, 2010 (Quaderni casnighesi, 8).
Biella, Valter: La cornamusa bergamasca: le origini, tra XIV e XV secolo (The Bergamo bagpipe. The origin, between the 14th and the 15th century). In: Utriculus, Nuova serie XVIII (57-58), 2019, p.59-73 (140-141).
Biella, Valter & Pellegrini, Rita: Orsù, cornamuse, più gaíe. Iconografia della zampogna tra Como, Bergamo e Sondrio. Vercana, 2015.
Bigot, Laurent: Quand on entend le bruit du biniou: on ne peut s’empêcher de sauter! In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.94-97.
Bigot, Laurent: Aux origines d’une grande tradition. In: Ar men: la Bretagne, un monde à découvrir 59 (s.l. [Douarnenez?], 1994), p.26-34, 38-39 (Le couple biniou-bombarde; [NB: ➺ Parades]).
Blaikley, D.J.: Notes on the Trumpet scale. In: Proceedings of the Musical Association, 20th Session (1893-94). London, 1894, p.115-124.
Blanc, Bernard: Les cornemuses du Centre: filiation et évolution = The bagpipes of central France: ancestry and evolution. In: Les cornemuses de George Sand: autour de Jean Sautivet… (1996), p.28-31, (103-105).
Blanc, Bernard: Les musettes Sautivet. In: Trad magazine 107 (Saint-Venant, 2006), p.90-91 (Cabrettes et musettes à l’étude, 8).
Blanc, Bernard: Cabrettes à l'étude. Description technique de la cabrette. In: Ricros (et al.): La cabrette… (2017), p.[584]-611 [NB¹: ➺ Deviating title in index (Sommaire, p.[11]): La cabrette à l'étude. Description technique de l'instrument]; NB²: ➺ Review WS: specific remarks.
Blanchard, Jean: Manipulons les mythes: du soliste à la Grande Bande. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.12-17.
Blanchard, Jean: La voie des bourbonnaises: entretien avec Bernard Blanc, luthier. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.72-83.
Blanchard, Jean: Créer une bulle sonore: entretien avec Patrick Mollard, joueur de pibroch. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.104-111.
Blecua Vitales, Martín & Mir Tierz, Pedro: La gaita de boto aragonesa. Zaragoza, 1998.
Blench, Roger: The history and distribution of the free-reed mouth-organ in SE Asia (presented at the 14th EurASEAA meeting, Dublin, September 2012 (Draft submitted for proceedings, 2012).
Boekhoorn, Serge: De gaita: vergeten of verheven?: een vergelijking tussen de doedelzak in Galicië en noord-Portugal (Afsluitende opdracht Portugese taal- en letterkunde (Vrij onderdeel), studierichting Europese studies/geschiedenis, Universiteit van Amsterdam). Apeldoorn, 1996.
Boers, J.C.: De Hommel of Noordsche Balk. In: Ts. Vereeniging voor Noord-Nederlandsche Muziekgeschiedenis, Deel 1, 1ste Stuk (1882), p.1-9.
Boisvert, Thierry: Chabrettes: mon Dieu, quelle histoire! In: Proc. International bagpipe symposium… (The Hague, 1988), p.7-22.
Bonanni, Filippo: Gabinetto armonico pieno d'iʃtromenti ʃonori indicati, e spiegati dal padre Filippo Bonanni. Roma, 1722. [Extract: plates XXX (Piua [Piva] o Ciaramella) & XXXI (Muʃsetta) + text only].
Bonanzinga, Sergio: La zampogna a chiave in Sicilia. In: La zampogna: gli aerofoni a sacco in Italia (2005), II, p.183-216.
Bonanzinga, Sergio: La zampogna a chiave in Sicilia. Con testi di Paola Tripisciano e Giovan Battista Vaglica / Rilievi grafici di Monica Modica / Disegni e restauro immagini di Giuseppe Aiello / Trascrizioni musicali di Santina Tomasello e Alessandro Giordano. Palermo 2006.
Boone, Hubert: De doedelzak. Woord vooraf door J. Van Haver en A. Doppagne… Inleiding door R. De Maeyer… Brussel, 1983.
Boone, Hubert: De doedelzak in Europa, vroeger en nu, 1. Antwerpen, 1985.
Boone, Hubert: De doedelzak in Europa, vroeger en nu. Peer, 1987.
Boone, Hubert: Bagpipes in the Autonomous Socialist Soviet Republic of Mari. In: Proc. International bagpipe symposium… (The Hague, 1988), p.31-36.
Boone, Hubert: La cornamusa in Belgio. In: Utriculus VIII;2 (30), aprile/giugno 1999, p.32-37. [NB: text in Italian and French]
Borjon de Scellery, Charles-Emmanuel: Traité de la mvsette, avec vne novvele methode, pour apprendre de ʃoy-meʃme à joüer de cét instrument facilement, & en peu de temps. Lyon, M.DC.LXXII [1672].
Борова, Светлина [Borova, Svetlina]: Гайдата в българското кино [The Gajda in Bulgarian cinema]. Пловлив [Plovdiv], 2018. (NB: ➺ also Svetlina Denova)
Bottali, Piero: Zampognismo & animalismo (Piping and animalism). In: Utriculus, Nuova serie XV (51-52), 2016, p.69-76 (145-146).
Bottali, Piero: La scimmia, l'ancia, la zampogna (The monkey, the reed, the bagpipe). In: Utriculus, Nuova serie XIX (60), II semestre 2020, p.61-63 (105-106).
Brauer-Benke, József: Dudatípusok Magyarországon [Bagpipe types in Hungary]. s.l., s.a.
Brauns, Claus-Dieter (photos) & Löffler, Lorenz G. (text): Mru: Hill People on the border of Bangladesh. Basel, 1990.
Breathnach, Breandán: Folk music and dances of Ireland [1971, revised 1977]. Dublin, 1983.
Breathnach, Breandán: The Irish pipes. In: The bagpipes in Europe, 1 (1976), p.1-15 + 2 ill.
Breathnach, Breandán: Francis Collinson, The bagpipe: the history of a musical instrument (London, 1975). Review. In: [?] [s.l., ca. 1975], p.72-73.
Bridge, Joseph C.: Town waits and their tunes. From: Proceedings of the British Musicological Association. February 21, 1928. Annotations by James Merryweather, April 2006.
Brindisi, Maria Beatrice: Lo zampognaro di Arnaldo de Lisio. In: Utriculus V;3 (19), luglio/settembre 1996, p.28-31 (Iconografia delle zampogne nel Molise).
Bröcker, Marianne: Eine unbekannte Quelle zum Instrumentarium des 13. Jahrhunderts. In: SIMP V (Stockholm, 1977), p.91-95.
Bröckner [sic], Marianne [Bröcker]: Die Sackpfeifen Italiens. In: The bagpipes in Europe, 2 (1978), p.16-52.
Bröcker, Marianne: Die Drehleier: ihr Bau und ihre Geschichte, I (Textband) & II (Bild- und Registerband). Bonn-Bad Godesberg, 1977 [English version!].
Der Große Brockhaus. Handbuch des des Wissens… Leipzig, 1929-1935 (15).
Brömse, Peter: Flöten, Schalmeien und Sackpfeifen Südslawiens. Brünn [Brno], 1937.
Brücker, Fritz: Die Blasinstrumente in der altfranzösischen Literatur. Giessen, 1926.
Brunet, Jacques: Kampuchea (Kambodscha) [Bildtafeln und Interpretationen]. In: Collaer [et al.]: Südostasien (1979), p.44-57.
Buchholz, Oda / Fiedler, Wilfried / Uhlisch, Gerda: Wörterbuch Albanisch-Deutsch. Leipzig, 1981 (2) (Dictionary as a source).
Buchner, Alexander: Folk music instruments of the world. London, 1971; German edition: Musikinstrumente der Völker (Prag, 1968); [NB: Original Czech title: Hudební nástroje národů (Praha, 1969); Also published in French].
Buckley, Ann: Considerations in a stylistic analysis of uilleann piping. In: SIMP VI (Stockholm, 1979), p.120-125.
Burdet, Jacques: La danse populaire dans le pays de Vaud sous la régime Bernois. Bâle, 1958.
Butler, Richard: The Northumbrian small pipes. [Title on cover: Northumbrian smallpipes]. In: Proc. International bagpipe symposium… (The Hague, 1988), p.105-115.
Buzzelli, Piero: La zampogna nella Marsica. In: Utriculus VIII;1 (29), gennaio/marzo 1999, p.33-38.
Byrtek, Edward & Cul, Łukasz: Budowa dud żywieckich. s.l. [Żywiec?], s.a. [2013/4?].
Caccia, Alberto: In Germania la zampogna non l’ho portata. In: Portavamo la cucchiarella… (2001), p.41.
A.C. [Antonietta Caccia]: La zampogna e la cicala [The bagpipe and the cricket (insect)]. In: Utriculus VII;1 (25), gennaio/marzo 1998, p.36 (Curiosità zampognare).
Caccia, Antonietta: Zampogne con metodo (Zampogne with method). In: Utriculus XI (42), aprile/giugno 2007, p.30-33 (48).
Caccia, Antonietta: Il Canonico Maccari e il Suonator di Cornamusa (The Canon Maccari and the bagpiper). In: Utriculus XI (43), luglio/settembre 2007, p.5-12 (48) [NB: ➺ Maccari].
Caccia, Antonietta: Uno studio organologico-linguistico sulle cornamuse in forma di dizionario (An organological-linguistic study of bagpipes in the form of a dictionary). In: Utriculus, Nuova serie XIX (60), II semestre 2020, p.55-59 (105) [Review of Editobari]
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