The smallest of all Italian bagpipes, it occurs in the "Arbëresh" (Italo-Albanian) communities of the Monte Pollino zone (borderland Basilicata-Calabria), and in prov. Potenza (San Constantino Albanese and San Paolo Albanese), but also in Italian speaking Terranova di Pollino (prov. Potenza); Used to play dance music or accompany songs and processions, it is usually played solo, but it can also be accompanied by a Tamburello (tambourine) or a bottle struck with a door key; Some of its features (its left chanter is stopped, allowing staccato playing, and its large drone is the longest of its 4 pipes, &c.) render it a unique specimen of Italian bagpipe; NB¹: ➺ Calabria; NB²: ➺ homonyms & similar terms, Sardellina & Sardëllina, Serdellina, Sordelina &c., and Sourdeline and related terms.

According to Scaldaferri, instruments were, because of their small dimensions, often hand-made, and modelled with a knife only, with the possible exception of the Zëpponë, which was turned on a lathe; Oddly, however, the only example he provides are the instruments made by Agostino Troiano, adding two instruments entirely turned on a lathe: that of Carmine Salamone, made by an unknown maker, and one made by a Quirino Valvano [*1964, San Costantino Albanese, prov. Potenza], which is the smallest of all instruments measured.

Sunëcillë, Suniciell, Surdelina, Surdëllinë, Surdullina

Canna, Destra, Manca, Shcandillë, Trumbette, Trumm, Uhjièt, Ùtërë, Zëpponë, ·? (stock: blowpipe [Term not mentioned in available sources])