Generic name for several types of double-clarinet; A corruption of Zammāra; According to Sachs, "In instruments of this type, the equal notes on the left and right hand pipes usually differ (purposely) slightly in pitch, in order to intensify the sound"; NB¹: ➺ Pipëza (Albania), Maït, and Yarul; NB²: ➺ Marcuse's remark to Qurmah regarding "the illustration in Sachs's Reallexikon" !

According to Sachs, "The cane pipes (tied together with waxed yarn) can be of equal length with a slightly different Ø, or of slightly different length (same Ø)"; NB: Mahillon’s description of 4 instruments reads as follows: № 115 (coll. Sax, № 376; collection of the Kensington Museum [nowadays Victoria and Albert Museum, London]): Total length: 43 cm.; Range: a♭-c¹-d♭-d-e♭-e-f¹; № 116 (coll. Sax, n° 379): Total length: 37 cm.; Range: b-d¹-d♯-e-f-f♯-g¹; № 117 (coll. Sax, № 377): Total length: 35 cm.; Range: c¹-d-e-f-f♯-g-g♯¹; and № 118/* (coll. Sax, № 375): Total length: 30 cm.; Range: c♯¹-d♯-e-f-f♯-g-g♯¹.
NB: Example(s) to be replaced with staff-notation.

Miğwiz, Mijwiz, Mizwiğ, Zammāra, Z’mar / Z’marâ (Z’marā)

Zummâra arbâuia / Zummāra arbawija / Zummârah arbaouia, Zummâra khamsauia / Zummāra chamsāwija / Zummârah khamsaouia, Zummâra sabauia / Zummârah sabaouia, Zummâra settauia / Zummāra sattawija / Zummârah settaouia